This EP and its companion piece, “My Splendour Has Become My Ruin” were originally intended to be a full-length album titled “My Splendour Has Become My Ruin” I have no idea where the title came from, but I’d written it on a pencil sketch that I’d drawn a couple of years ago. I tried searching for it on Google, as I thought “There’s no way I’ve thought of something as profound as that, but I can’t find it anywhere, so maybe I did?
The cover art is taken from photographs taken by my Wife and myself when we’ve been hiking around the place I grew up. I love seeing old farm machinery and stuff like that rusting away in fields, overgrown with nettles. I don’t know why. I think it just reminds me of being a child and seeing things like this on my paternal and maternal Grandfather’s farms. There was something incredibly mysterious about these things. This is perhaps why I like to leave my own sculptures unpainted and just let them develop a patina of rust, it somehow makes them instantly more interesting to me.
Inspired by my favourite R.E.M. record, “Fables of the Reconstruction” I imagined this being released on vinyl, with side A titled “My Splendour Has Become My Ruin” and side B, “My Ruin Has Become My Splendour”but I decided at the last minute to split the album into two EPs instead.
Together they tell a story, but I don’t want to impose what that is on you before you listen. They are also related to the “WindHymn” Sound Installation project, so please see here for more details about that:
windhymn1.bandcamp.com/album/a-sound-installation
Please let the music speak for itself, but after you’ve listened, please see here for the explanation of the concept behind “My Splendour Has Become My Ruin”/“My Ruin Has Become My Splendour”:
windhymn1.bandcamp.com/album/to-the-place-where-the-streams-flow-redux-ep
released February 5, 2021
All music and artwork by WindHymn.